I spent the last two months running color tests, scrubbing through 4K timelines, and grading footage on eight monitors back to back. The goal was simple: find the best monitors for video editing that real creators can actually rely on, not just lab charts that look good on paper.
Color accuracy is a harsh filter. A monitor that looks fine in the store can leave your skin tones off by a full shade, and your exported video will look different on every device your client opens. That is why I focused on Delta E under 2, factory calibration, and wide color gamut coverage (DCI-P3 and Adobe RGB) when picking these models.
Whether you are cutting YouTube videos, grading short films, or building a Mac-based editing desk, this guide covers the key specs, the real-world trade-offs, and honest recommendations. I also pulled in feedback from editors on video editing workflows and cross-referenced our 4K monitor expertise to make sure nothing slipped through the cracks.
Top 3 Picks at a (August 2026)
Best Monitors for Video Editing in 2026
| Product | Specifications | Action |
|---|---|---|
 Dell S2725QS 4K IPS 120Hz |
|
Check Latest Price |
 ASUS ProArt PA279CRV 27 inch 4K |
|
Check Latest Price |
 LG 27UP650K-W 4K UHD |
|
Check Latest Price |
 ASUS ProArt PA34VCNV 34 inch Ultrawide |
|
Check Latest Price |
 LG 34U650A-B 34 inch Ultrawide |
|
Check Latest Price |
 Dell UltraSharp U4025QW 40 inch 5K2K |
|
Check Latest Price |
 INNOCN 27C1U 4K USB-C |
|
Check Latest Price |
 ViewSonic VP3256-4K 32 inch 4K |
|
Check Latest Price |
1. Dell S2725QS 4K IPS Monitor – Best Value 4K for Editors
Dell 27 Monitor S2725QS, 4K UHD IPS, 120Hz, 5ms, FreeSync Premium
27 inch 4K UHD IPS
120Hz refresh rate
99% sRGB, USB-C, FreeSync
Pros
- Excellent 4K sharpness at 27 inches
- 120Hz smooth timeline scrubbing
- ComfortView Plus reduces eye strain
- USB-C connectivity
- Full ergonomic stand
- FreeSync Premium support
Cons
- sRGB only (no wide gamut for HDR grading)
- 60Hz would be plenty for editing but 120Hz is a bonus
- Matte coating can look grainy in dark scenes
This is the 4K monitor I keep recommending to editors who do not want to overspend. The Dell S2725QS delivers sharp 3840×2160 resolution on a 27-inch IPS panel, and the 120Hz refresh rate makes timeline scrubbing feel noticeably smoother than the 60Hz standard. Most budget 4K monitors still ship at 60Hz, so this is a real upgrade.
I ran a quick color test using a calibration tool and the out-of-box accuracy was strong. Dell rates it at 99% sRGB, which covers most web and SDR video work. If you are doing basic color correction for YouTube or social clips, this is enough. Where it falls short is wide-gamut work. There is no DCI-P3 or Adobe RGB coverage figure, and HDR support is limited to HDR-ready (not DisplayHDR certified).
Connectivity is solid for the price. You get HDMI, DisplayPort, and USB-C, plus full ergonomic adjustments (height, tilt, swivel, pivot). I hooked it up to a 14-inch MacBook Pro and the USB-C carried the display signal and charged the laptop at the same time. It is not a full docking station, but it trims the cable clutter on a small desk.
FreeSync Premium is a nice bonus for editors who also game. The 120Hz refresh rate means you can take a break, switch to a game, and still get smooth responsiveness. It is not a dedicated gaming monitor, but the dual-use quality is genuinely useful if your editing work and gaming share the same desk.
Who Should Buy This Monitor
This is the best fit for hobbyist editors, YouTubers, and content creators working mainly in sRGB and SDR. If you do not need wide-gamut HDR grading, the Dell S2725QS gives you 4K sharpness, 120Hz smoothness, and USB-C convenience at a price that does not hurt.
Who Should Skip It
Skip this if you do color grading work in DCI-P3, or if you need a true HDR grading monitor. It also has only 99% sRGB, so it does not match the color volume of ProArt or EIZO panels. For professional color-critical work, look at the ASUS ProArt PA279CRV instead.
2. ASUS ProArt PA279CRV 27 Inch 4K – Editor’s Choice for Color Accuracy
ASUS ProArt PA279CRV 27 Inch 4K UHD USB-C HDR Professional Monitor for Mac
27 inch 4K
Calman Verified Delta E<2
99% DCI-P3, USB-C 96W
Pros
- Calman Verified factory calibration
- 99% DCI-P3 and Adobe RGB
- Delta E<2 out of the box
- USB-C 96W Power Delivery
- Daisy-chain for dual setups
- 5-year warranty
Cons
- 60Hz only (not for high-frame gaming)
- Some panel uniformity issues reported
- Brightness rating looks misprinted (actual around 400 nits)
When I need a monitor I can trust for client-facing color work, the ASUS ProArt PA279CRV is the one I reach for. It is Calman Verified out of the box, meaning each unit ships with a calibration report showing Delta E under 2. That is the threshold where human eyes cannot reliably spot color differences, which is exactly what you want when grading footage.
The color gamut is the headline number. ASUS claims 99% DCI-P3 and 99% Adobe RGB, which covers both the digital cinema standard and the print standard. For video editors working in Rec. 709, DCI-P3, or hybrid workflows, this monitor covers all three without dropping color data. It is a true wide-gamut panel, not a marketing stretch.
The USB-C port delivers 96W of power, which is enough to charge a 16-inch MacBook Pro while pushing the full 4K signal. Daisy-chaining over DisplayPort means you can run two of these monitors from a single Thunderbolt port on your laptop. For an editing setup with multiple displays, this is a clean configuration that hides most of the cable mess.
It is not a gaming monitor. The 60Hz refresh rate and 5ms response time are fine for editing but limiting if you also want to play fast-paced games. Some users have reported panel uniformity issues on certain units, which is common on IPS panels. Calibrating your unit early helps catch these problems within the warranty window.
Who Should Buy This Monitor
This is for serious editors who grade footage professionally or semi-professionally. If your deliverables end up on streaming platforms, broadcast, or client screens, the factory calibration and wide color gamut give you confidence that what you see is what you ship. Mac users benefit most from the 96W USB-C.
Who Should Skip It
If you are a casual editor cutting mostly SDR content for personal use, the extra cost of wide-gamut coverage is wasted. You also want a different monitor if you need a curved screen or ultrawide format. The PA279CRV is a flat 16:9 panel.
3. LG 27UP650K-W 4K UHD IPS – Budget Pick for Editors Starting Out
LG 27UP650K-W 27-inch Ultrafine 4K UHD (3840 x 2160) IPS Computer Monitor, 60Hz, 5ms, DisplayHDR 400, Reader Mode, Flicker Safe, HDMI, DisplayPort, Tilt/Height/Pivot Adjustable Stand, White
27 inch 4K UHD IPS
DisplayHDR 400
95% DCI-P3
Pros
- Excellent 4K value
- DisplayHDR 400 support
- 95% DCI-P3 coverage
- Full ergonomic stand
- Reader Mode for long sessions
- Good color accuracy out of the box
Cons
- No USB-C on the standard model
- No built-in speakers
- 60Hz refresh rate
- Limited stock in some regions
The LG 27UP650K-W is the cheapest way I have found to get a 4K editing monitor with real color coverage. At under $200, it costs less than many 1440p options but ships with 95% DCI-P3 and DisplayHDR 400 certification. For editors still building their setup, this is a friendly entry point.
The colors are the first thing I noticed. 95% DCI-P3 is enough for most web and SDR workflows, and the DisplayHDR 400 stamp means the monitor can handle HDR metadata without clipping highlights. It is not a reference HDR display, but it shows the difference between SDR and HDR content clearly, which is helpful when you are learning the math behind exposure.
The ergonomic stand is unusually good for this price. You get height, tilt, and pivot adjustments, which are usually reserved for mid-tier monitors. I tend to pivot the screen vertical when working on long timeline exports or color grading a single tall image. Having that flexibility without buying a separate VESA arm is a small but real win.
The main trade-off is connectivity. The standard 27UP650K-W does not have USB-C, so you cannot run a single cable from a MacBook. You will need HDMI or DisplayPort from your laptop plus a separate charger. There are no built-in speakers either, but most editors use external monitors or headphones anyway.
Who Should Buy This Monitor
Budget-conscious editors and content creators who want 4K resolution and decent color without going broke. It is also great as a second monitor for someone who already has a primary reference display. The 4.7 average rating from 300+ reviews backs up the value claim.
Who Should Skip It
Mac users who want a single-cable USB-C setup. If you rely on a clean desk with just one cable, look at the INNOCN 27C1U or the ASUS ProArt PA279CRV instead. The LG is also not great for serious HDR grading work, where you need at least HDR600 or higher.
4. ASUS ProArt PA34VCNV 34 Inch Ultrawide – Best Ultrawide for Timelines
ASUS ProArt PA34VCNV 34 Inch 1440p Ultrawide Professional Monitor for Mac
34 inch 1440p Ultrawide
Calman Verified Delta E<2
USB-C 96W
Pros
- Curved 21:9 ultrawide for long timelines
- Calman Verified Delta E<2
- 100% sRGB and Rec. 709 coverage
- USB-C 96W Power Delivery
- RJ45 Ethernet port
- Daisy-chain support
Cons
- 1440p vertical resolution (not 4K)
- Only 100% sRGB (no wide-gamut)
- Some quality control issues reported
- Poor built-in speakers
Ultrawide monitors change how editing feels. The ASUS ProArt PA34VCNV gives you a 21:9 curved display, which means a long horizontal timeline without giving up the program monitor. I spent a week cutting a 10-minute documentary on this monitor and the workflow felt less cramped than the 16:9 panels I usually work on.
The Calman Verified factory calibration is the standout feature. You get a printed report showing Delta E under 2, which is professional-grade from day one. For sRGB-only workflows like web video or SDR broadcast, the 100% sRGB and Rec. 709 coverage is enough. The curved 3800R curve is gentle enough for editing without distorting straight lines.
USB-C at 96W matches the 27-inch ProArt, and the addition of an RJ45 Ethernet port turns this into a real docking monitor. I plugged in a MacBook, and the monitor handled display, power, and network all through one cable. The daisy-chain feature lets you connect another monitor downstream, which is useful for dual-display ultrawide setups.
Where this monitor loses points is vertical resolution. 1440p is the standard for 34-inch ultrawides, but if you are coming from a 4K 16:9 panel, you will notice fewer vertical pixels for the program monitor. There is also no wide-gamut coverage beyond sRGB, so DCI-P3 grading is not really an option. The limited 41-review count is a fair warning: this is a newer release, so long-term reliability data is still being collected.
Who Should Buy This Monitor
Editors who want a wide canvas for long timelines and prefer a single ultrawide over two 16:9 displays. It is also the right pick for MacBook users who want a clean USB-C dock built into the monitor. If you work mostly in sRGB and Rec. 709, the color coverage is enough.
Who Should Skip It
Skip this if you need 4K resolution or wide-gamut DCI-P3 grading. For those workflows, pair the ASUS ProArt PA279CRV with a second matching monitor, or look at the Dell UltraSharp U4025QW for a 5K2K ultrawide experience.
5. LG 34U650A-B 34 Inch Ultrawide WQHD – Smooth 100Hz Editing
LG 34U650A-B 34-inch UltraWide WQHD (3440 x 1440) IPS Curved Wide Computer Monitor, 100Hz, HDR10, Built-in Speaker, HDMI, DisplayPort, USB Type-C PD 96W, Tilt/Height/Swivel Adjustable Stand, Black
34 inch 1440p Ultrawide
100Hz refresh rate
USB-C 96W
Pros
- 100Hz refresh rate for smoother scrolling
- USB-C 96W Power Delivery
- HDR10 support
- Good color accuracy with 99% sRGB
- Built-in speakers with DepthSound
- Full ergonomic stand
Cons
- Some viewing angle issues reported
- USB hub stability issues for some users
- No wide-gamut coverage beyond sRGB
- Limited long-term review data
Most editing monitors are stuck at 60Hz, but the LG 34U650A-B bumps that to 100Hz. That is a meaningful difference when you are scrubbing a long timeline. The motion also looks smoother when you are playing back 24fps or 30fps content, especially during slow pans and zooms. It is not a gaming monitor, but it feels more responsive than standard 60Hz panels.
Color performance is solid for sRGB work. The 99% sRGB coverage is in line with other ultrawides in this price range, and HDR10 support gives you a taste of HDR content without the brightness needed for true HDR grading. The 300 nit peak brightness is on the lower end, so working in bright rooms with sunlight may require shading.
USB-C at 96W is enough for a 16-inch MacBook Pro, and the built-in speakers are surprisingly usable for a quick preview. The DepthSound audio is not a replacement for real studio monitors, but you can hand a draft to a client and they will hear something. I also like the height, tilt, and swivel stand, which is easy to adjust without tools.
The main concerns from real users are viewing angle shifts and USB hub quirks. If you are working in a multi-monitor setup with uneven angles, the color may shift slightly at the edges. The 57-review count is small, so expect to validate this with your own testing once you receive the unit.
Who Should Buy This Monitor
Editors who want a smoother 100Hz editing experience without moving to a 4K ultrawide. It is good for dual-purpose work where you also browse, code, or watch high-frame content. MacBook users with USB-C charging will appreciate the 96W power delivery.
Who Should Skip It
Skip this if you need wide-gamut color for DCI-P3 grading. The 99% sRGB coverage is fine for web and SDR work, but you need the ASUS ProArt PA279CRV or Dell UltraSharp U4025QW for true wide-gamut workflows.
6. Dell UltraSharp U4025QW 40 Inch 5K2K – Premium Pick for Studios
Dell UltraSharp U4025QW 40″ Class 5K2K WUHD Curved Screen LED Monitor – 21:9
40 inch 5K2K WUHD
IPS Black panel
Thunderbolt 4, 120Hz
Pros
- 5K2K resolution (5120x2160) on a single screen
- IPS Black panel with deeper blacks
- 120Hz refresh rate
- Built-in Thunderbolt 4 hub and KVM
- Excellent color accuracy
- Easy plug-and-play on Mac and Windows
Cons
- Premium price point
- Heavy at nearly 42 lbs
- Only HDR600 (not HDR1000)
- Limited built-in color modes
- Ports face downward
This is the monitor I dream about when I am not editing on it. The Dell UltraSharp U4025QW delivers 5120×2160 resolution on a 40-inch curved screen, which is essentially a 4K display stretched horizontally. You get the equivalent of two 27-inch QHD monitors stacked without the bezel in the middle.
The IPS Black panel technology is the real upgrade. Standard IPS panels have a contrast ratio around 1000:1, but IPS Black pushes that to 2000:1. That means darker blacks and more depth in shadows, which matters when you are grading scenes with low light. It is not OLED-level black, but it is the best IPS option in 2026 for editing.
The 120Hz refresh rate makes the workflow feel snappy. The Thunderbolt 4 hub turns the monitor into a complete docking station with 8 USB ports, Ethernet, and KVM for switching between two computers. I tested this with a MacBook Pro and a Windows desktop, and the KVM switch is fast and reliable. The 237 reviews with a 4.6 average rating suggest most professional buyers are happy.
The downsides are honest trade-offs. The price is high, and the monitor weighs 41.9 pounds, so you need a strong monitor arm or a sturdy desk. The HDR support is HDR600, not HDR1000, which is enough for HDR viewing but not true HDR mastering. The built-in color modes are limited to Standard, Movie, and Game out of the box, so you will likely calibrate it yourself for editing work.
Who Should Buy This Monitor
Studio editors and content creators who want a single-screen solution that replaces a dual-monitor setup. It is ideal for Mac and Windows hybrid workflows thanks to the Thunderbolt 4 and KVM. If you handle client deliverables and need screen real estate plus color accuracy, this is the best premium option.
Who Should Skip It
Skip this if you are on a strict budget or you do not need the 5K2K resolution. The Dell UltraSharp U4025QW is a premium investment, and most editors working only in 4K may not benefit from the extra horizontal pixels. If you want ultrawide real estate at a lower price, the LG 34U650A-B is a more affordable compromise.
7. INNOCN 27C1U 27 Inch 4K USB-C – Best Ultra-Budget 4K for Editors
INNOCN 27″ 4K USB-C Monitor for Laptop MacBook/Mac mini – 16:9 IPS 3840 x 2160 Display, HDR400, DeltaE＜2, DisplayPort, HDMI PC Monitor, 1.07B+ Colors, Built-in Speakers, Adjustable Stand, Black
27 inch 4K UHD
Delta E<2
USB-C 65W, HDR400
Pros
- Very affordable 4K monitor
- Delta E<2 factory calibration
- 65W USB-C charging
- G-Sync Compatible
- HDR400 support
- Ergonomic stand with pivot
Cons
- HDMI port may have color calibration issues
- No integrated USB hub
- LED indicator cannot be turned off
- Slow to wake from sleep
- Some reliability concerns reported
The INNOCN 27C1U is the cheapest monitor I would recommend for actual video editing. At under $200, you get a 4K IPS panel with HDR400 support, Delta E under 2 accuracy, and USB-C charging. That is a hard spec sheet to beat at the price.
The color accuracy surprised me. INNOCN ships each monitor with a factory calibration report, and the DCI-P3 color range is decent for the budget. It is not the same as the ASUS ProArt PA279CRV, but for hobbyist editors and YouTubers, it is enough to do reliable color work without buying a calibration tool on day one.
USB-C at 65W covers most laptops including the MacBook Air and 14-inch MacBook Pro. The G-Sync Compatible variable refresh rate is a nice bonus for editors who game during breaks. The stand offers pivot, height, swivel, and tilt adjustments, which is better than many monitors in this price range.
The honest weaknesses are real. The HDMI port may need calibration to match the USB-C color profile, which is a small annoyance. There is no USB hub, so you cannot plug peripherals into the monitor. The LED indicator cannot be turned off, which is annoying in dark editing rooms. Some users have reported reliability issues, so buy from a seller with a good return policy.
Who Should Buy This Monitor
Editors on a strict budget who want 4K resolution and decent color accuracy without overspending. It is also great as a second monitor for someone who already has a primary workhorse. The 330 reviews and 4.3 average rating suggest most buyers are happy, though reliability can vary.
Who Should Skip It
Skip this if you are a professional colorist or if you need a wide-gamut panel. The ASUS ProArt PA279CRV or Dell UltraSharp U4025QW are better for professional work. Avoid this if you need a reliable USB hub built into the monitor.
8. ViewSonic VP3256-4K 32 Inch 4K – Reliable Pantone Validated Option
ViewSonic VP3256-4K 32 Inch 4K ColorPro Monitor, IPS Display with 100% sRGB and Pantone Validated for Professional Content Creation, Advanced Ergonomics, 60W USB-C, HDMI, and DisplayPort Inputs
32 inch 4K UHD
Pantone Validated
100% sRGB, Delta E<2
Pros
- Pantone Validated color accuracy
- Delta E<2 out of the box
- 100% sRGB coverage
- 60W USB-C charging
- Advanced ergonomic stand
- Good value for 32-inch 4K
Cons
- 60Hz refresh rate only
- OSD menu can be clunky
- Poor built-in speakers
- No wide-gamut DCI-P3 coverage
The ViewSonic VP3256-4K is the 32-inch 4K monitor I recommend to editors who want a bigger screen without paying premium prices. The 32-inch size gives you more room for timelines and tool panels than a 27-inch panel, and the 4K resolution keeps text sharp.
Pantone Validation is the headline credential. ViewSonic matched this monitor against the Pantone color system, which means it is approved for professional color work that needs to match print and digital standards. The factory calibration report shows Delta E under 2, and 100% sRGB coverage is confirmed. For SDR video editing, this is a reliable monitor.
USB-C at 60W is enough for most 13-inch and 14-inch laptops, but it is below the 96W that some 16-inch MacBook Pro users need. The ergonomic stand is unusually flexible with tilt, swivel, pivot, and height adjustments all included. The 3-year warranty on parts, labor, and backlight is a strong signal that ViewSonic stands behind this product.
The 60Hz refresh rate and 5ms response time are standard for editing monitors but limiting for gaming. The OSD menu is the most common complaint in reviews, with users describing it as clunky. The built-in speakers are not worth using for serious audio work. For HDR grading, you need a brighter monitor, so this is best for SDR workflows.
Who Should Buy This Monitor
Editors who want a 32-inch 4K screen for SDR video work and want proven Pantone color accuracy. It is a great fit for content creators working on YouTube, corporate video, or web content. The 380 reviews and 4.4 average rating suggest long-term reliability.
Who Should Skip It
Skip this if you need wide-gamut DCI-P3 coverage or high refresh rates. The ASUS ProArt PA279CRV covers DCI-P3 better, and the Dell UltraSharp U4025QW offers a much wider canvas. MacBook Pro 16-inch users may want a higher USB-C charging wattage.
How to Choose the Best Monitor for Video Editing
Picking a monitor for video editing is not just about resolution. Color accuracy, panel type, and connectivity are equally important. Here is the framework I use when testing displays for editing work.
Color Accuracy and Delta E
Color accuracy is the single most important spec. Look for monitors with Delta E under 2, which is the threshold where human eyes cannot reliably detect color differences. The ASUS ProArt PA279CRV and Dell UltraSharp U4025QW both ship with Delta E certification out of the box. For more on this, see our guide to monitors for technical work, which shares similar color requirements.
Color Gamut Coverage
Wide color gamut matters for professional editing. sRGB covers web and SDR video, but DCI-P3 is the standard for HDR and modern cinema. Adobe RGB is needed for print work. Look for at least 95% DCI-P3 coverage if you grade content for streaming platforms. The ASUS ProArt PA279CRV hits 99% DCI-P3, which is the gold standard at this price.
Resolution and Panel Size
4K is the minimum for modern editing. 4K resolution lets you see fine details in your footage without scrolling, and 27 inches is the sweet spot for 4K because the pixel density is high enough to see the full benefit. For ultrawide, 3440×1440 is the standard, but you give up vertical pixels. The Dell UltraSharp U4025QW solves this with 5K2K resolution.
Panel Technology: IPS vs IPS Black vs OLED
IPS panels are the standard for editing. They offer accurate colors and wide viewing angles. IPS Black, found in the Dell UltraSharp U4025QW, doubles the contrast ratio compared to standard IPS. OLED is the best for color and contrast, but burn-in risk and lower brightness make it less practical for editing work where static UI elements stay on screen for hours.
Connectivity and USB-C Power Delivery
USB-C with Power Delivery turns your monitor into a dock. Look for at least 65W to charge a 14-inch laptop, or 96W for a 16-inch MacBook Pro. The ASUS ProArt PA279CRV, Dell UltraSharp U4025QW, and LG 34U650A-B all deliver 96W. Daisy-chain support lets you run two monitors from one port, which is useful for laptop setups.
Refresh Rate and Panel Uniformity
60Hz is fine for editing, but 100Hz or 120Hz makes timeline scrubbing smoother. The Dell S2725QS and Dell UltraSharp U4025QW both run at 120Hz. Panel uniformity matters more than most people think. Check the white point and color uniformity across the screen, especially for color-critical work. Buy from a seller with a good return policy in case your unit has uniformity issues.
Budget and Long-Term Value
Editing monitors are a long-term investment. The ASUS ProArt PA279CRV and Dell UltraSharp U4025QW both have 3 to 5 year warranties, which is a strong signal of long-term reliability. If you are on a budget, the INNOCN 27C1U and LG 27UP650K-W give you 4K resolution at a price that leaves room for other gear. For more on workstation builds, check our guide to best workstation CPUs.
Frequently Asked Questions
What type of monitor is best for video editing?
An IPS panel with at least 4K resolution, 99% sRGB or 95% DCI-P3 color gamut, and Delta E under 2 is the best starting point for video editing. IPS panels deliver accurate colors and wide viewing angles. Factory-calibrated monitors like the ASUS ProArt PA279CRV ship ready for professional color work.
What is the best monitor size for video editing?
27 inches at 4K is the sweet spot for most editors. It gives you sharp pixel density and fits on a standard desk. 32 inches works well if you want more room for tool panels. For ultrawide workflows, 34 inches at 3440×1440 is the standard, or 40 inches at 5K2K like the Dell UltraSharp U4025QW for maximum screen real estate.
Is 4K necessary for a video editing monitor?
4K is not strictly necessary, but it is highly recommended. 4K resolution lets you see fine detail in 4K footage without zooming, and it provides more screen space for tool panels. Many editors still work on 1440p monitors, but 4K is becoming the standard. If you mostly cut 1080p video, a 1440p monitor is acceptable.
What does Delta E mean for video editing?
Delta E is a measurement of color difference. A lower Delta E means the colors displayed on the screen are closer to the intended color. Delta E under 2 is considered professional-grade because the human eye cannot reliably spot differences. Delta E under 1 is reference-grade. The ASUS ProArt PA279CRV and INNOCN 27C1U both ship with Delta E under 2.
Is an ultrawide monitor good for video editing?
Yes, ultrawide monitors are excellent for editing because the wide aspect ratio gives you more room for long timelines. The ASUS ProArt PA34VCNV and LG 34U650A-B are both 34-inch ultrawides designed for editing. For a more premium option, the Dell UltraSharp U4025QW offers 5K2K resolution on a 40-inch curved screen, which is the ultimate ultrawide editing experience.
Final Verdict
After testing eight monitors for over two months, the ASUS ProArt PA279CRV stands out as the best monitor for video editing in 2026 for most creators. The combination of Calman Verified factory calibration, 99% DCI-P3 coverage, and 96W USB-C power delivery covers almost every editing workflow from SDR to HDR.
Budget shoppers should look at the LG 27UP650K-W or the INNOCN 27C1U. Both deliver 4K resolution and decent color accuracy at a price that leaves room for other gear. Editors who want maximum screen real estate should consider the Dell UltraSharp U4025QW, which is the best premium option we tested. For more recommendations, browse our guide to ultrawide monitors.
Picking the best monitor for video editing comes down to matching the panel to your workflow. Match the color gamut to your deliverables, the resolution to your footage, and the connectivity to your laptop. If you stick to those three rules, any of the eight monitors above will serve you well.